[ad_1]
Die zweite Ausgabe von Frieze Seoul fand im COEX-Konferenzzentrum im Bezirk Gangnam statt. Über 120 Teilnehmer von führenden Galerien nahmen an der Messe teil. Obwohl die Galerien nicht den gleichen Millionenumsatz wie im letzten Jahr erzielten, führten kleinere Verkäufe insgesamt zu einem Erfolg für viele Künstler und Aussteller. Die von den Galerien gemeldeten Umsätze sind schwer unabhängig zu überprüfen; größere Transaktionen können während der Messe stattfinden. Zu den Highlights der verkauften Werke gehören die Skulpturen von Woody De Othello bei Jessica Silverman, verschiedene Künstler bei Lehmann Maupin, Rashid Johnson und George Condo bei Hauser & Wirth, Katherine Bernhardt und Yayoi Kusama bei David Zwirner, Daniel Richter und Tony Cragg bei Thaddaeus Ropac, Mary Weatherford bei David Kordansky, Tracey Emin und Antony Gormley bei White Cube, Alexander Calder und Yoshitomo Nara bei Pace Gallery, Stanley Whitney bei Lisson Gallery und Sahara Longe bei Timothy Taylor.

Community Reaction and Official Responses

The response from the art community regarding the second edition of Frieze Seoul has been generally positive. Art enthusiasts and collectors appreciated the diverse range of artworks on display and the opportunity to engage with galleries from around the world. The fair provided a platform for both emerging and established artists to showcase their works and connect with potential buyers.

The official response from Frieze Seoul organizers has been one of gratitude and satisfaction. They expressed their appreciation for the participating galleries, artists, and visitors who contributed to the success of the fair. The organizers emphasized their commitment to promoting the local and international art scene and their continued efforts to make Frieze Seoul an exceptional event for the art community.

Overall, the community reaction and official responses highlight the significance of Frieze Seoul in fostering artistic exchange, supporting artists and galleries, and enriching the cultural landscape of South Korea.

Expectations for Future Editions

With the success of the second edition of Frieze Seoul, expectations for future editions are high. Many hope that the fair will continue to attract top-tier galleries and artists, expanding its reach and influence in the art world. Collectors anticipate discovering new talent and acquiring exceptional artworks, while artists and galleries look forward to showcasing their works to a wider audience.

As Frieze Seoul grows, there is a desire for increased diversity and inclusivity in terms of the artworks and artists represented. The art community expects the fair to be a platform that promotes underrepresented artists and encourages innovative and thought-provoking artistic practices.

Additionally, there is a hope for more engagement and educational programs that provide deeper insights into the artworks and artists exhibited at Frieze Seoul. Workshops, artist talks, and panel discussions are among the initiatives that can enhance the overall experience for both visitors and participants.

In conclusion, the future of Frieze Seoul looks promising, with the potential to become an even more significant event in the global art calendar. The fair has established itself as a platform that celebrates contemporary art, facilitates art sales, and fosters dialogue within the art community. As it continues to evolve, Frieze Seoul has the potential to shape and influence the art scene in South Korea and beyond.

[ad_2]
Source link

Schreibe einen Kommentar

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind mit * markiert

You May Also Like